The intersection of projection art, music, architecture and graffiti is a place that this Polish team is turning into a welcome destination. Nawer vs Temporary Space Design is the pairing of projection mapping VJs with a graffiti writer to become immersive installation artists. The project featured in the above video is exemplary of their approach, where Nawer paints an abstract design that TSD brings to life with 3D mapping and an element of audio responsiveness. Although there is a number of interesting moments throughout, the highlight of the piece comes at about 4:35 when each abstract shape flickers with multiple complementary colors. Nawer has proven their adeptness at transforming spaces with nothing but paint, including the playground below. But with the addition of TSD, they manage to compete with television for a society long saturated by all-encompasing media.
Voyeur after voyeur is revealed in this work by video artist Morgan Beringer, which climbs through an endless wormhole of classically painted windows. He usually creates pieces that deal with more abstract imagery, which could easily be used as VJ material and would look great in the club. But Beringer frequently incorporates earthy and organic color schemes and textures – a departure from the prevailing techy tone found in the majority of VJ content. The artist also recently collaborated with Ghostly to supply a Matthew Dear song with powerful imagery.
Bangin’ new augmented light sculpture by Grosse8 and Lichtfront. Projectors shed light onto this wooden sculpture, making it come alive with color. Set to a nasty beat by Jon Hopkins, who we will keep our eye on from now on. (via Core77).
Using Predator-like drones, private military contractors remotely defend water reserves in Mexico from drought stricken locals to a soundtrack by Nacional Records. This all-too-possible near future set to a nasty beat is the vision of Sleep Dealer, a Spanish language science fiction film written and directed by Alex Rivera.
It premiered in NYC last April, which makes it ancient in internet time, but we had to post something about it. The thoughtfulness of Rivera, who resides in New York and first filmed the Sixth Section documentary for PBS, charts the genre into unlikely territory. By addressing current political and environmental issues, he grounds it in reality. And he avoids diving into fantasy by exploring technology that seems probable in the near future and in need of serious discussion. All this brings the movie closer to social commentary than mere entertainment.
As for the soundtrack, it features a number of good songs that have since been released for free in one form or another. Bomba Estereo‘s “Raza” made its psychedelic Cumbia debut here. It’s since been released as an MPFree over at NYRemezcla (hastily compiled English translation after the jump). The album also included the Latin dub stylings of Fidel Nadal‘s “Puerta De Oro (Con Pablo Lescano)”. That was more recently part of the free Nacional Records Sampler 2009. Nortec Collective‘s “Tijuana Sound Machine” and “Discoteca Nacional” were also on the soundtrack.
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This video installation by Apparati Effimeri, which is projected onto the side of a castle, manages to make the whole structure appear to move with stop-animation tendencies. For more projection mapping, augmented reality videos, peep the Real World Texture Mapping Group on Vimeo.
The phrase, “Your language is so colorful” just took on a new meaning. A new program called Word DNA, created by Luke Loeffler, color codes your rhymes. You plug the text into the program, and it gives you back a color bar that adds certain hues to the words that rhyme. We tried it out with the below rhyme, and it showed rhymes we didn’t even realize were there.
The game should stay raisin’ the gauge we grade players with/
So equatin’ quaint creations with greatness is negated/
But the reign of a whole range of fakeness is straight gainin’/
What agent for change could erase this arrangement?
As much as we hate to say it, advertising can be ridiculously creative and important, too. Why say you? The Australian Childhood Foundation‘s ad campaign to raise awareness about child abuse. They put up posters that cover a child-sized mannequin. On the sign it says, “Neglected Children are made to feel invisible.” But when the mannequin is ripped out from beneath, the text underneath is made visible, which reads, “Thank you for seeing me.” Ups to Wooster Collective for catching this first and not explaining it at all.
On Saturday, we’ll be in an art show, for those of you that’ll be in Philly this weekend. I mean, $1 beer? You might as well take a Chinatown bus down, it’d probably be a cheaper night out. In addition to dozens of artists – including the man responsible for Downbeat Treaty‘s cover – there will also be a number of performers and DJs.
We got a couple tracks for you for the Seclusiasis dudes that will be there. First, Dev79 hit us off with an MPFree of his new Raffertie remix. And we got the stream of a nasty Ghost joint that we can’t wait to see a certain rapper bless.
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Ghost, “Danger”
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